The voice that convinces will always be the voice of the individual, not as a spokesperson for this or that idea.Many Young Adult writers get it wrong because of the tyranny of good intentions.
The voice that convinces will always be the voice of the individual, not as a spokesperson for this or that idea.Many Young Adult writers get it wrong because of the tyranny of good intentions.Tags: Grade 8 EssayMicrobiology Research PaperLateral Thinking Problem SolvingEssay About School ActivitiesRevenue Management Research PaperProblem Solving ExampleJc Penney Research PaperQuentin Tarantino ThesisPeter Nguyen Stupid EssaysA Strange Story Essay
We forget that many of our compatriots came here because of war, that there are former child soldiers living in Australia, and that literature and the armed forces didn’t always occupy such opposing worlds.
is a war story and an adventure story, but it is told by a protagonist who stays put, right at the centre of a metaphorical and literal cyclone.
Yet it was also a mythologised place in the literature of the time, which Hart reads with wry scepticism: According to these stories, no-one knew the sacrifices we made, as we hung on up there, in Unknown Australia, in the Never Never, in the Great Unfenced, before the age of hurry-up.
We were the true Australians, in a country going begging, ruled by governments, cities and absentee landlords who knew nothing and cared less about resource development, soil erosion and the teeming threat of Asia, which sat right on our back doorstep, waiting, waiting ...
generation living in peacetime is inclined to devalue the identity and place of soldiers.
In Australia, active soldiers have been maligned as meddlesome interlopers in foreign affairs (if they are our soldiers) or combatant terrorists (if they are not).
I remember reading (1993) and recognising the character Lee – not because he was Asian, but because he did not ‘do’ Asian-ness. When she tells Hart that she must give up nursing because her mother needs her, you get the strong sense that she exists as a separate character outside his own pinings and imaginings.
Disher writes that teenage girls initially hate Mitsy because she is ‘cold’ and stony towards the protagonist.
From this point on, the novel could have descended into a didactic tale of learning to tolerate difference, of not betraying your friends, of remembering past good deeds – Mitsy’s father once saved Hart’s life after all.
But what elevates from a good yarn to a masterpiece of character development is that Disher doesn’t do this.