Kenko, who was born in about 1283, was the son of Urabe Kaneaki, a Shinto priest of modest rank.
In his early twenties, Kenko served the Emperor Go-Nijo (1285-1308) as a chamberlain, but by the time he turned thirty, he had already retired into religion.
He exemplifies that all humans have this simple wish by describing their struggle to get on in the world with a race where everyone is a contestant.
Rich, poor, old, young, men, women coming from different backgrounds, they all give everything they got to make sure that they will get on in life.
To reach their goal, they don’t shy away from hurting those in front of them or to make sure that those who are behind then remain there.
Through this theme, the narrator wants to point out that every human is only interested in getting what he wants and he doesn’t care about what happens with those around him as long as he is happy.Appreciation of classical literature flourished in the early Edo period in the context of a trend for reviving classical culture in which the Emperor Go-Mizunoo (1596-1680) played a central role.With a rapid increase in demand for paintings with themes taken from classical literature, large numbers of Tsurezure-e were produced in this period.Over a century after Kenko completed Essays in Idleness in the closing years of the Kamakura period (probably around 1333), the work began to gain a sympathetic reception among the poets and linked-verse masters of the Muromachi period (1336-1573).In the Edo period (1600-1868), with the shogunate’s encouragement of scholarship and the development of printing technologies, the essays swiftly captured a wide readership.Written sometime between 13, the Essays in Idleness, with their timeless relevance and charm, hardly mirror the turbulent times in which they were born.Despite the struggle between the Emperor Go-Daigo and the usurping Hojo family that rocked Japan during these years, the Buddhist priest Kenko found himself "with nothing better to do, jotting down at random wha Written sometime between 13, the Essays in Idleness, with their timeless relevance and charm, hardly mirror the turbulent times in which they were born.The Suntory Museum recently acquired the twenty volumes of Tsurezuregusa handscrolls by Kaiho Yusetsu for its collection.For Tsurezure-e, artists usually painted several scenes, having selected popular episodes from the Essays in Idleness or episodes that readily lent themselves to depiction.Responding to that growing demand, several schools of painting, including the Kano, Tosa, and Sumiyoshi schools, turned to creating their own Tsurezure-e.As a result, there is no discernible correlation in style or motif between their works; artists freely chose which episodes to depict.