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The elder Hughes came to feel a deep dislike and revulsion for other African-Americans.) Although Hughes had trouble with both black and white critics, he was the first black American to earn his living solely from his writing and public lectures.Part of the reason he was able to do this was the phenomenal acceptance and love he received from average black people.
Fuller commented that Hughes "chose to identify with plain black people …
precisely because he saw more truth and profound significance in doing so.
David Littlejohn wrote that Hughes is "the one sure Negro classic, more certain of permanence than even Baldwin or Ellison or Wright. His voice is as sure, his manner as original, his position as secure as, say Edwin Arlington Robinson’s or Robinson Jeffers’. By molding his verse always on the sounds of Negro talk, the rhythms of Negro music, by retaining his own keen honesty and directness, his poetic sense and ironic intelligence, he maintained through four decades a readable newness distinctly his own." contains previously unpublished and repeatedly rejected poetry of Hughes from the 1930s.
Here, the editors have combined it with the artwork of elementary school children at the Harlem School of the Arts.
A reviewer for noted in 1970: "Those whose prerogative it is to determine the rank of writers have never rated him highly, but if the weight of public response is any gauge then Langston Hughes stands at the apex of literary relevance among Black people.
The poet occupies such a position in the memory of his people precisely because he recognized that ‘we possess within ourselves a great reservoir of physical and spiritual strength,’ and because he used his artistry to reflect this back to the people." Hughes brought a varied and colorful background to his writing.(And still are.) In anything that white people were likely to read, they wanted to put their best foot forward, their politely polished and cultural foot—and only that foot.In fact, the title which was misunderstood and disliked by many people, was derived from the Harlemites Hughes saw pawning their own clothing; most of the pawn shops and other stores in Harlem at that time were owned by Jewish people.If he seems for the moment upstaged by angrier men, by more complex artists, if ‘different views engage’ us, necessarily, at this trying stage of the race war, he may well outlive them all, and still be there when it’s over. Hughes’ [greatness] seems to derive from his anonymous unity with his people.He to speak for millions, which is a tricky thing to do.Langston Hughes was a central figure in the Harlem Renaissance, the flowering of black intellectual, literary, and artistic life that took place in the 1920s in a number of American cities, particularly Harlem.A major poet, Hughes also wrote novels, short stories, essays, and plays. And ugly too.” This approach was not without its critics.Violations of that humanity offended his unshakable conviction that mankind is possessed of the divinity of God." It was Hughes’s belief in humanity and his hope for a world in which people could sanely and with understanding live together that led to his decline in popularity in the racially turbulent latter years of his life.Unlike younger and more militant writers, Hughes never lost his conviction that “ Laurence Lieberman recognized that Hughes’s “sensibility [had] kept pace with the times,” but he criticized his lack of a personal political stance.Nevertheless, Hughes, more than any other black poet or writer, recorded faithfully the nuances of black life and its frustrations.In Hughes’s own words, his poetry is about "workers, roustabouts, and singers, and job hunters on Lenox Avenue in New York, or Seventh Street in Washington or South State in Chicago—people up today and down tomorrow, working this week and fired the next, beaten and baffled, but determined not to be wholly beaten, buying furniture on the installment plan, filling the house with roomers to help pay the rent, hoping to get a new suit for Easter—and pawning that suit before the Fourth of July." Hoyt W.