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“Neighborhood of roofs” Cisneros is cagy about the location of the house, keeping it vague.
Mallard is the victim of her torturing husband, whereas in the other story the lead character is the victim of poverty and the so-called hypocritical values of the society and class discrimination.
Both the lead characters, which seem to be weak initially emerge as strong characters towards the end of the stories.
Bricks are crumbling in places, and the front door is so swollen you have to push hard to get in.
There is no front yard, only four little elms the city planted by the curb.
She wants to leave the house on Mango Street for a house of her own — “a house on a hill like the ones with the gardens where Papa works.” For a Sunday drive, the family goes to those richer neighborhoods with the richer houses and rubbernecks at the elegance, beauty and stateliness of the buildings.
But Esperanza doesn’t go any longer, “tired of looking at what we can’t have.” Instead, she imagines the future: Not a flat. On the weekends, Marin goes to dances all over the city, including the Aragon Ballroom, the Uptown Theater and the Embassy Ballroom, and it’s at one of those dances that she meets Geraldo, a guy in a shiny shirt and green pants who works at a restaurant. The ones who always look ashamed.” There is no one to be found to take his body. His is the story of generations of single immigrant men who have come to the United States and have tried to navigate a foreign culture.They dance together, and, then, he goes outside and — like that! Marin is the last person to see him alive, and she is shaken by his death although, as she tells anyone who asks, he wasn’t anyone to her, really — “Just another who didn’t speak English. In one of the most poignant passages in “Shakity-shake” For more than a century, Chicago has trumpeted itself as a city of neighborhoods.Chicagoans often identify closely and deeply with their local community in a bond of geographic kinship. They are stupid people who are lost and got here by mistake.But there’s a flipside of this, as Esperanza explains: Those who don’t know any better come into our neighborhood scared. The people of her neighborhood aren’t afraid of what outsiders think to be scary-looking dudes.At the same time, the book’s strength as literature is that it tells the story of a unique girl in a unique place — a Mexican-American girl in the neighborhoods of Chicago whose life is focused not only on the changes in her body but also on her need to figure out how to maneuver in the broader world. [They’ll] move a little farther north from Mango Street, a little farther away every time people like us keep moving in. Before that we lived on Loomis on the third floor, and before that we lived on Keeler.Esperanza lives in a community that is made up of newly arrived immigrants from Mexico and first-generation Americans, but also includes black and white people from such places as Texas, Kentucky, Tennessee and Puerto Rico. Before Keeler it was Paulina, and before that I can’t remember. Esperanza’s age is never given, but, from the text, it appears she’s about 12 or 13 at the start of the novel which covers the family’s first year in their house.Later, at a carnival, an older boy sexually assaults her — “only his dirty fingernails against my skin, only his sour-smell again…He wouldn’t let me go. With my porch and my pillow, my pretty purple petunias. He said I love you, I love you, Spanish girl.” “All my own” Like generations of other children of immigrants, Esperanza yearns for her own life, one that is not circumscribed by the world of her parents or her neighborhood. And Marin, an older girl she knows from Puerto Rico, is already moving out into the city as something of a trailblazer for her younger friend.Marin has been making money by selling Avon Products, but she wants to get a real job downtown because that’s where the best jobs are, since you always get to look beautiful and get to wear nice clothes and can meet someone in the subway who might marry you and take you to live in a big house far away.