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We will take care of them, and for a reasonable price, as we understand that students usually don’t have a lot of money to spare.
She won the 2017 Anne Born Prize, the 2017 Psychoanalysis and Poetry Competition, the 2016 Oxford Brookes International Poetry Competition (ESL), and came Second in the 2017 National Poetry Competition.
In 2017, Mary Jean was shortlisted for the Forward Prize for Best Single Poem.
At the moment, I’m focusing my energies on teaching at Oxford Brookes, and on finishing my debut collection, which is due from Faber in July 2019.
I never needed anyone to do my homework for me until I got a part-time job in college.
She is an editor of , a member of the international research group RAPAPUK and an advisory board member at the Poetry Translation Centre.
Born and raised in Hong Kong, Mary Jean lives in London and works as a Lecturer in Creative Writing (Poetry) at Oxford Brookes University.What are some recent books that you’d like to share with our readers?Some recent favorites include Terrance Hayes’ (both forthcoming in 2019). I suppose there’s always the inevitable lull in generating new work, and I’m going through one of those phases.Later on, when I read the revolutionary works of Adrienne Rich, Audre Lorde and Langston Hughes during my undergraduate studies in the US, I knew that poetry was the genre I would dedicate myself to in the years to come.What do you like best about creating and working in the UK literary world, and what would you like to see change or evolve?) That was the first time I had ever shared my work with others, and it gave me the courage to keep exploring the genre further.Then it wasn’t until senior year – when I was picked (again somewhat serendipitously) for the college poetry slam team – that I wrote more, and found myself enrolling in a summer workshop for poets of color upon graduation in 2012.Then, suddenly, a thought comes into their mind, one that you might have had yourself and more than once, “I need to get my homework done, but I have no time for it!” Not a pleasant situation, but not a hopeless one.As for what kind of change I’d like to see, I think many positive changes are already taking place, thanks to national programmes such as the Complete Works, the Ledbury Emerging Poetry Critics, and more recently, the inaugural Women Poets’ Prize.At a recent conference organized by the international research group RAPAPUK held at Queen’s College, Cambridge, I was particularly inspired by a group of young poets and critics who not only commented cogently on the state of poetry and race in Scotland, but also unveiled their exciting plans to bring this urgent conversation to Scotland, with their next event to be held at the Scottish Poetry Library later this month.