Iago’s hatred of Othello is profound; he does not employ him as his lieutenant and there is a suggestion that he bedded Emilia previous to his relationship with Desdemona.Tags: Research Paper Topics 2013Cat In The Rain By Ernest Hemingway EssayHarriet Tubman EssaysEssay Hook IntroductionHomework JobsHow To Make A Conclusion In Research PaperEssays On Dna Profiling
Othello is clearly very much in love with Desdemona and in killing her he denies himself his own happiness; which heightens the tragedy.
Iago’s true Machiavellian victory is that he orchestrates Othello having to take responsibility for his own downfall.
A little later in the play Iago tells his wife, Emilia to steal Desdemona's handkerchief that Othello had given her, so that is exactly what she does.
Besides what Iago has already done he still does more.
One of the most interesting questions that crops up is the one concerning Iago’s motives.
What are his reasons to kill every major Venetian in Cyprus?“The Moor is of a free and open nature, That thinks men honest that but seem to be so,” (Iago, Act 1 Scene 3, Line 391).Having said that, he more readily believes Iago than his own wife but again this is probably because of his own insecurities.“By the world, I think my wife be honest and think she is not.I think that thou art just, and think thou art not.” (Act 3 Scene 3, Line 388-390) One of Othello’s admirable qualities is that he believes that men should be transparent and honest as he is; “Certain, men should be what they seem” (Act 3 Scene 3 Line 134).A celebrated soldier and trusted leader whose race both defines him “The Moor” and defies his lofty position; it would be rare for a man of race to have such a highly respected position in Venetian society.Many of Othello's insecurities are derived from his race and from the perception that he is lowlier than his wife.Pride is also one of Othello’s weaknesses; for him, his wife’s alleged affair confounds his belief that he is a lesser man, that he cannot live up to her expectations and her position in society; her need for a conventional white man is a critical blow to his achieved position.“For naught, I did in hate, but all in honour” (Act 5 Scene 2, Line 301).This is supported not only by what he says in the play but also through his actions, both of which enable him to skillfully manipulate those in his orbit in order to boost his huge ego and propel him closer to his personal, evil goals.As the consummate villain, Iago serves as the primary driving force in the play which inevitably directs the other characters towards their...