Is the audience more or less sympathetic toward Oedipus? How does the audience perceive Oedipus' quarrels with Teiresias and Creon?
3) How does dramatic irony affect the audience's perception of Jocasta?
Near the end of each play in the Oedipus Trilogy, a messenger describes what has happened offstage, usually the most important action in the play. Discuss the differences between Antigone and Ismene in their views of women in society. Choose a character who appears in two or more plays of the Oedipus Trilogy, and discuss the similarities and differences in characterization in the plays. Write an essay in which you agree or disagree with the following statement: Antigone is primarily a drama of politics, not of fate. As a prophet, Tiresias speaks for the gods and for Fate.
Why do you think Sophocles handles the action in this way? How does she react to her suspicions about Oedipus' birth? How does each sister's view shape the choices she makes in the play? How does the character of Tiresias function dramatically in Oedipus the King and Antigone?
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Once you place your order you will receive an email with the password.Although there is little or no onstage violence in the Theban plays, the characters in Oedipus at Colonus are very much concerned with war.What different things does war mean to each of the play’s characters?Cite direct examples of all three types of irony in the play, then explain the effect of irony on the overall themes of the work.Also, examine how Sophocles uses irony to affect the reader's mood and his attitude towards Oedipus, Tiresias, and Jocasta.Can the characters be held responsible for their actions? Look specifically at Oedipus, but address Jocasta and Creon as well.Oedipus Rex contains dramatic, situational, and verbal irony.Sophocles’ “Oedipus Rex” (also known as “Oedipus the King”) is considered as one of the most prominent examples of ancient drama.Sophocles raises an important question: What is more important, the will of the gods, or human will?In each of the three plays, the Chorus repeatedly gives us moral lessons, often condemning “pride.” Are we to take the proclamations of the Chorus as absolute truth, or is the Chorus just as fallible as the other characters?Is pride really the catalyst for all the catastrophes of the plays?