Microelements Film Essay

Microelements Film Essay-61
The fan base of The Shining would agree that Kubrick’s adaptation is exceptional; however fans of the Stephen King book would perhaps poke holes in the book to film change – and I shall be conducting a comparison between the two adaptations in order to settle the feud.No one can discredit the extreme detail that Kubrick went into in order to create perhaps the most successful of his films.

The fan base of The Shining would agree that Kubrick’s adaptation is exceptional; however fans of the Stephen King book would perhaps poke holes in the book to film change – and I shall be conducting a comparison between the two adaptations in order to settle the feud.

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I think perhaps the most eerie (without intention) part of the whole film is the twisting, turning tracking shot of the humble yellow VW, slowly making its way to its own demise.

One element which really stood out to me was how, in the helicopter tracking shots of the VW, other cars were heading in the opposite direction.

Did Jack’s violent pursuit of his wife and child exist entirely in Wendy’s imagination, or Danny’s, or theirs?

” I think that to be able to fully understand the film as a whole, my own analysis could come in handy with realising the full impact that the Kubrick classic has had upon the film world.

‘A film, also commonly referred to as a cult classic, is a film with a cult following, obscure or unpopular with mainstream audiences, and often revolutionary or ironically enjoyed’ – this quote directly relates to the reviews and hype that The Shining has received over the years.

I’m going to be exploring both macro and micro elements which builds the bones of this classic psychological horror – and I’m going to be taking in consideration the reviews and opinions of famous film critics, such as James Berardinelli, to make sure my article isn’t totally biased.

Now sure, you might say this was because they were leaving for the winter, but to me it demonstrates an unnerving avoidance to the Overlook – foreshadowing the unfortunate paranormal atmosphere which sticks with the hotel.

I love how Kubrick decided to include Wendy’s fear of the Donner Party in the film, as she wearily listens to Jack explaining what they did to his son Danny.

“However, Ebert believes that she takes a more sinister turn towards the final scene of the film, he utilises the fact that Kubrick deleted a scene before the box office premiere of the film in 1980; “But there is a deleted scene from “The Shining” that casts Wendy’s reliability in a curious light.

Near the end of the film, on a frigid night, Jack chases Danny into the labyrinth on the hotel grounds.

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