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[Read More] He realizes that this infatuation for Mangan's sister is an illusion, and simply a wistful idea that serves as escape from his discontentment: "I lingered before her stall, though I knew my stay was useless, to make my interest in her wares seem more real.Then I turned away slowly and walked down the middle of the bazaar" (Joyce *).I chafed against the work of school." These "follies" are also seen by the boy's school master as "idleness," which juxtaposes the perceived importance of the feeling for the boy with the more rational views of outsiders.
611) a young boy experiences his first sexual awakening, and finds himself endlessly fantasizing about "Mangan's sister," who lives in a house near his own.
As Joyce describes Mangan's sister, from the boy's perspective "Her dress swung as she moved her body and the soft rope of her hair tossed from side to side." He cannot pull his image of Mangan's sister from his mind, even long enough to say his prayers.
The theme of the two stories centers on a young men who are concerned over thinking out the dissimilarity between reality and the imaginations of romance that dance in their heads.
They also examine their mistaken thoughts on their respective world, the girls they encounter, and most importantly, themselves.
One of the main comparable aspects of the two stories is the built up of the main characters' idealistic expectations of women.
Both characters set their sights on one girl which they place all their fondness in. Both stories do a good job of immersing the reader into unstable minds of young men faced with difficult life lessons.
His lack of real or symbolic sight indicates his lack of……
[Read More] John Updike's "A&P" and James Joyce's "Araby" are very alike.
He communicates better in a fantasy world, just as he sees better in his fantasy world: "Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand," (31).
Sensory deprivation is at times total: "All my senses seemed to desire to veil themselves," (31).