Essay Times They Changin

Essay Times They Changin-1
Appears on: Writers: Otis Blackwell, Jack Hammer Producer: Sam Phillips Released: Nov. 2 With Lewis pounding the piano and leering, "Great Balls of Fire" was full of Southern Baptist hellfire turned into a near-blasphemous ode to pure lust.Lewis, a Bible-college dropout and cousin to Jimmy Swaggart, refused to sing it at first and got into a theological argument with Phillips that concluded with Lewis asking, "How can the devil save souls?The lyrics, which celebrate risk-taking, came out of a conversation Cee-Lo and Danger Mouse had in the studio: The pair decided that their genre-smashing collaborations were indeed "crazy." With a haunting melody inspired by spaghetti Western soundtrack-composer Ennio Morricone, "Crazy" didn't feel like a hit.

Appears on: Writers: Otis Blackwell, Jack Hammer Producer: Sam Phillips Released: Nov. 2 With Lewis pounding the piano and leering, "Great Balls of Fire" was full of Southern Baptist hellfire turned into a near-blasphemous ode to pure lust.

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Writers: Brian Burton, Thomas Calloway, Gianfranco Reverberi, Gian Piero Reverberi Producer: Danger Mouse Released: May '06, Downtown 24 weeks; No.

2 "Crazy" was a rarity in the 2000s: a universal pop smash that was played on virtually every radio format — it went Top 10 on both the pop and the modern-rock charts — and was covered by singers from Nelly Furtado to Billy Idol.

He has described the song as "like a slow fever, building on the beat, pushing up the temperature with each breath of the staccato horns and pushing through delirium as we came up on the fade." Appears on: . We always had food on the table." Berry originally wrote this guitar anthem as an affectionate dig at his sister Lucy, who spent so much time playing classical music on the family piano that young Chuck couldn't get a turn.

But "Roll Over Beethoven" became the ultimate rock & roll call to arms, declaring a new era: "Roll over, Beethoven/And tell Tchaikovsky the news." Berry announced this changing of the musical guard with a blazing guitar riff and pounding piano from sidekick Johnnie Johnson.

When I’m writing a song that I know is going to work, it’s a feeling of euphoria.

It’s how a basketball player must feel when he starts hitting every shot, when you’re in that zone.When you hear a great song, you can think of where you were when you first heard it, the sounds, the smells.It takes the emotions of a moment and holds it for years to come. A great song has all the key elements — melody; emotion; a strong statement that becomes part of the lexicon; and great production. That song had everything — different melodies, opera, R&B, rock — and it explored all of those different genres in an authentic way, where it felt natural.After they heard it, the Tempts begged him to let them record the song rather than the Miracles, as he had been planning.Robinson relented and chose the throaty tenor David Ruffin to sing lead, the first time he had done so with the group.The tune was first recorded by Phillips' folk group the New Journeymen and later given to Barry Mc Guire as a thank-you after Mc Guire, riding high with "Eve of Destruction," introduced the group to producer Lou Adler, who convinced the Mamas and the Papas to cut it themselves.Appears on: Writers: Smokey Robinson, Ronald White Producers: Robinson, White Released: Jan. 1 The Temptations were sharing a bill with Robinson and his group the Miracles at Harlem's Apollo Theater when Robinson took time out to cut the rhythm track for a new song." But as the session wore on and the liquor kept flowing, Lewis' mood changed considerably — on bootleg tapes he can be heard saying, "I would like to eat a little pussy if I had some." Goodness gracious, great balls of fire, indeed.Appears on: Writer: Perkins Producer: Sam Phillips Released: Feb '56, Sun 21 weeks; No.Fogerty wrote it out of disgust at the fancy wedding plans of Richard Nixon's daughter."You just had the feeling that none of these people were going to be too involved with the war," he said.

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