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It was Muir's valedictory performance as a novelist, and his prose was thereafter directed towards criticism, autobiography and translations.
Reviewing the 1937 volume, poet Stephen Spender noted that the collection "contains the best poems [Muir] has written and some of the most serious, interesting, and individual poems of our time . Yet in his poetry Edwin Muir has discovered a language which expresses this argument in the most vivid and direct way possible by means of an imagery so precise that the prose meaning would seem a circuitous way of describing what can be held instantaneously by a single poetic image." Critic Elizabeth Huberman noted in her study, that Muir's themes "are the traditional themes of the great poets, from Homer's time to the present: the struggle between good and evil in the individual, in society, in the universe; the loss of innocence and the quest for its recovery; the nature of human destiny; the destructiveness of time; the enduring joy and power of love.
At the same time, Muir has had the strength to handle this traditional material in his own way, on his own terms. What I do mean to say is that Muir's is in a real sense supplementary to his poetry: it can be read with enjoyment for its own sake, but its full meaning will not be apparent to readers who are unacquainted with the poems." A later critic, Joseph H. can almost be regarded as meta-autobiography, a study of the redemptive autobiographical imagination and not merely of the perceived past." As a critic, Muir was prolific, writing hundreds of reviews during his long career.
In his view it tended to distance the poet from the audience. Dismissed by those who could have taken it seriously,  has since been ignored, though it stands as his most important critical statement." Muir's translations, which he produced in collaboration with his wife, are also counted among his significant works, chiefly for their impact in bringing important German-language authors to the attention of English-speaking readers.
In one of his most controversial works, Muir offended nationalists with his assertion that Scottish literature would be better served by the use of the English language, rather than Scots Gaelic. Among the works that the Muirs translated are Muir's three novels were all published within a five-year period from 1927 to 1932, and each treats an aspect of Muir's autobiography through a plot centering on an adolescent protagonist.
But I myself was still in 1751, and remained there for a long time.
All my life since I have been trying to overhaul that invisible leeway." In Glasgow, with little formal education, the fourteen-year-old Muir began work as an office clerk and subsequently held various positions, including a stint in a local bone factory.
Whether he borrows the figures and myths in which he dramatizes his themes from Homer and Sophocles, the Bible and Milton, or finds them in contemporary events and in his own dreams, he always recasts both borrowings and findings to fit his particular vision, to carry his particular signature." Closely related to Muir's poetry is his autobiographical writing in For Muir, autobiography represented a voyage of self-discovery, and he blended both the outer ("story") and inner ("fable") aspects of his personal history, creating a work that reveals in prose the same visionary style, dominant themes, and central concerns already noted in his poetry. Summers, judged it "a beautiful book," in the He wrote, "In its detailed accounts of the most important events of his life, both sleeping and waking, one can recognize the sources of some of the most moving passages in his poetry and fiction." In an essay in discussing memory and imagination in the two versions of Muir's autobiography, Roger J. Many of his essays and reviews have been collected in the volumes Muir identified and discussed such major forms as the novel of action, the character novel, the dramatic novel, and the chronicle novel.
Relating the ] is quite frankly a secondary work, a little fragmentary and inconclusive." However, he continued, "I don't mean to say that it is a bad book; on the contrary, it is a good book and contains much that is informative and well written and even wise. Porter concluded that "Muir's work is a radical statement that the past is a function of our present, that memory is a design and not merely a fact. Throughout his career Muir advocated a close connection between literature and life, and thus rejected much of New Criticism with its close reading of poetry.
Mellown in "Muir's three novels are certainly integral parts of his personal and asthetic development, but how is Muir to be regarded as a novelist?
Because of his limited output and its restricted range, he obviously stands apart from the development of the modern novel.